About Jack
Much of my writing contains sci-fi elements (or something mystical or fantastic), mainly because most science fiction stories are about people: who they are, how they interact with each other, how they overcome problems, and how they improve themselves and their worlds. And yeah, the aliens and spaceships and special effects are cool, too. But my hope is that after reading (or, one day, watching) my stories, the discussion turns to what we would do in the protagonist’s shoes, and why. Film is a medium that can be both escapist and philosophical at the same time.
It’s said that writing is a lonely endeavor. But writing – screenwriting, especially – is really more of a group activity. Once the script is written, a community must bring that story to the screen (big or small). Networking, connections, and support teams are important, so it’s good to find a community of creatives (whether that’s ISA, Stage 32, or classmates in a writing program). Find a group of inspiring people — it’s something all writers need. Simon Pegg has an interesting line in the Star Trek reboot (2009), in which he describes transwarp beaming: “It’s like trying to hit a bullet with a smaller bullet whilst wearing a blindfold, riding a horse.” If that doesn’t describe what it’s like for a screenwriter to break into Hollywood, I don’t know what does.
But we keep writing. And learning. And growing. And connecting. If you’d like to be a part of my journey, or if you need more people with you on yours, let me know. I like to think that we’re all in this together – as individuals, as a society, and as a species.
Jack Cusick lives in Southern California with his wife, with a constantly developing sense of self, and with a weird cat.
Accolades
ISA Fast Track Fellow (2024)
Capital Fund Screenplay Competition Hot 100 (2025)
IN OUR IMAGE
(Screenplay, Feature, Sci-Fi)
Category Winner (Sci-Fi), ISA Fast Track (2024)
Finalist, Dark Matter Film Festival (2025)
FREEDOM ONE
(Screenplay, Feature, Sci-Fi)
Finalist, Final Draft Big Break (2023)
Semifinalist, Final Draft Big Break (2024)
Second Round, ISA Fast Track Fellowship (2024)
Second Round, Austin Film Festival (2024)
“Double Recommend” Selection, Stage 32 (2023)
Quarterfinalist, Stage 32 9th Annual Sci-Fi/Fantasy (2025)
Quarterfinalist, Outstanding Screenplay Competition (2025)
Quarterfinalist, Scriptapalooza (2025)
Quarterfinalist, PAGE (2021, 2023)
I’M NOT JACK
(Screenplay, Feature, Drama)
Winner, Stage 32/Gidden (2020)
Quarterfinalist, Academy Nicholl Fellowship (2021, 2024)
Quarterfinalist, Final Draft Big Break (2021, 2024)
7th place, Table Read My Screenplay (2019)
WHITE HOUSE 101
(Screenplay, Feature, Dramedy)
6th place, Table Read My Screenplay (2019) (as The Young Executive)
SELF PUBLISHED WORKS
MEME (novel), 2015
The Lesson (short story), 2015
Disclaimer (short story), 2018
Precedent (short story), 2019 – OPTIONED for screenplay adaptation, 2025
The Light at the End of It All (short story), 2026
SCREENWRITING COURSES/TRAINING
Attended McKee STORY Seminar, 2010
Attended Kaplan Comedy Seminar, 2020
Attended Scriptfella/Scriptfella Pro/Scriptfella Playbook, 2024